Random Musing No. 1

August 4, 2018

The human eye has a range of 120°, mostly peripheral vision, compared to the camera’s typical 200° or more. That is why the figures sometimes seem distorted at the edges of a photograph. We make up for this seeming deficit by moving our focus (in movements called “saccades”) around a scene to build up a gestalt awareness of its appearance.
A painting, curated by human intelligence, is superior in every respect to a photograph, except for how long it takes to make it. If cameras took three hours to create the exact same image as they do now in a split second, there would be no question as to which medium people would choose when they needed an image recorded.

Nathan and John

October 13, 2014

Nathan is the son of my good friend, Joey. This is two sittings, which allowed me to bring the painting to a more finished state than my usual.

Nathan

I set up a mirror so he could watch me paint. He was actually a pretty good model.

I also painted what may be my last panhandler painting of 2014–I’ll try and get out this week but it’s getting cold. I am actually very happy with this painting.

John

This is John. He volunteered to pose after I was turned down by his buddy–my second rejection of the day. John  sipped discreetly from a beer can otherwise hidden behind a trash can, alternated with a clear liquid drunk from a soda bottle in his other hand. He said the cops didn’t bother him; he was too good at hiding his liquor.

John was mostly mumbling to himself, but also enthusiastically appreciating the passing examples of female pulchritude. I said, “I used to work in a grocery store and when a pretty girl walked in we had a code over the intercom: Check out the ice. ‘Check out the ice in aisle three!’ You’re checking out the ice.” “I’ll have some ice,” he answered, “and some Pepsi too.”